Insulted. Belarus(sia)
a new play by Andrei Kureichik
translated by John Freedman
directed by Kieran Beccia
This play was written by Andrei Kureichik, the well-known Belarusian playwright and member of the Coordination Council of Belarus. It tells the story of the first month of the Belarusian revolution, its ups and downs on the eve of the inevitable democratization of the country after 26 years of dictatorship. All characters have real prototypes, in some you will recognize former and current leaders of the country, in others - incredible Belarusians who have gone out to battle the totalitarian machine, sometimes at the cost of their lives, their freedom, and their loved ones. They represent polar points of view in the awakened Belarusian society. The author seeks to understand how the Belarusian revolution differs from Prague in 1968, Russia in 1991 and Ukraine in 2014. He tells of the tragic escalation of violence and repression employed by the authorities to repress freedom-seeking Belarusians with bayonets and clubs, and how solidarity, truth and faith in human values inevitably lead to victory over evil.
In solidarity with the people and theater community of Belarus, dozens of international theaters, groups, schools, and individuals are coming together in September and October to present readings, videos, films, and discussions of Andrei Kureichik's sensational new play, "Insulted. Belarus(sia)." Most events will be available online through Zoom or other hosts. Kureichik, a well-known Belarusian playwright/screenwriter/producer, is a member of the Coordination Council of Belarus. His 7-character play tells the story of the first month of the Belarusian revolution, its ups and downs on the eve of the inevitable democratization of the country after 26 years of dictatorship. All characters have real prototypes, in some you will recognize former and current leaders of the country, in others - incredible Belarusians who have gone out to battle the totalitarian machine, sometimes at the cost of their lives, their freedom, and their loved ones. They represent polar points of view in the awakened Belarusian society. The author seeks to understand how the Belarusian revolution differs from Prague in 1968, Russia in 1991 and Ukraine in 2014. He tells of the tragic escalation of violence and repression employed by the authorities to repress freedom-seeking Belarusians with bayonets and clubs, and how solidarity, truth and faith in human values inevitably lead to victory over evil.
CONTENT WARNING: THIS PLAY CONTAINS DESCRIPTIONS OF SEXUAL VIOLENCE AND EXTREME, STATE-SANCTIONED BRUTALITY.
WAYS TO SUPPORT THE BELARUSIAN PEOPLE
Through our New Works Program, we highlight emerging artists through unique staged readings, focus groups, and workshops to deepen conversations around development. Despite the medium, each project in this program is provided a dramaturg or mediator to facilitate discussions around the work.
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